- Joan of Arc (1865), John Everett Millais - Night (1880-85), Edward Robert Hughes - Ophelia (1894), John William Waterhouse - Vanity (1907), Frank Cadogan Cowper - Mary Magdalene (1858-60), Frederick Sandys - The Soul of the Rose (1908), John William Waterhouse - Circe Offering the Cup to Ulysses (1891), John William Waterhouse - Priestess of Delphi (1891), John Collier - The Beloved (1865), Dante Gabriel Rossetti - The Valykrie’s Vigil (1906), Edward Robert Hughes
New Pat the Bunny song! According to his bandcamp page he’s planning on releasing new demo songs in order to “raise money for acts of resistance”. The song is currently up for sale on his bandcamp page.
Eddy: I can achieve anything Edd: there’s a logical way to achieve what I want Ed: there’s nothing standing in my way
Eddy hopping over the fence indicates his willingness to “cheat” the system, or to take a shortcut. Much like his schemes, it might end up being more work, but in his mind, cheating is the best way to get ahead.
Edd goes the neat and logical way, he’s straight forward. BUT, note that he closes the gate behind him rather than leaving it open. He’s incredibly meticulous and even if it’s more convenient to leave it open for anyone coming in behind him, he has to leave things neat, tidy and as he found them.
Ed is also is straight forward, he in fact is using the MOST direct route. But this route is one no one else would consider because it seems completely nonsensical. Which sums him up pretty well. The fact that it works for him is also fun to note. In general his earnestness and determination carries him through situations that most people would be stopped by.
I honestly never thought I’d see a critical analysis of Ed, Edd, and Eddy
*Jock cupping mouth in crowded high school cafeteria voice*
did anybody else notice eddy was edd for like three seconds before he jumped the fence